So I decided it was time to show off my “cell phone collection” and give you a little more of a behind the scenes look. Now before anyone points fingers I am not a phone collector, however I find them rather difficult to draw with all their buttons and tilted ends. So early in the comic I realized that I needed some reference, and since my family had a bunch of old phones just lying around I decided to use them and I’ve sorta gotten myself a collection right now. The phone Kalwa uses is actually based off the red phone in the middle, though I actually use the silver phone in the bottom left as reference for thickness and color. I actually just got the phone in the bottom right today after saving it from recycling, so maybe I’ll work that phone into another character in the near future.
This was a character chart of made of Rachel quite some time ago. Even though I like her design, she’s possibly the most difficult to draw of the Desert Vixens. It’s mainly due to her hair, I find it really difficult to draw her hair consistently over the course of several panels. Usually when I draw characters in the sketchbook I tend to draw them once or twice just to have a note of their hair and I can form other angles while working on the comic. However every so often I wind up doing a character that I do need reference for, hence the heavy footnotes in the chart.
This was sketch practice I did of Zack shortly before the second Greece story arch. This was actually the finalization of his hair style. As I was working through on edits of chapter 1 for the publication, I was really thinking back on the initial design of Zack’s hairstyle. The first design was more straight up spiky, with his points actually going straight up. This initial design was actually based off another character named Bervo who I had made for another comic I had initially made in high school
So we come now to the final chapter of the whitechappel arch, and this chapter is split into two sections: explaining away the mystery, and horrible terrifying chase.
So the last chapter revealed that there was actually two Jack the Rippers, however this chapter indicates there may have been many more and that in reality there is no LEGITIMATE Jack the Ripper, but rather it is merely a name floating around the paper. As I was winding this story down in writing, I felt this was ultimately what it would lead to, and give a reason as to why this case has never actually been solved. Indeed according to history, the infamous letter that was found at the crime scene was proven to not have been written by the killer himself, but rather an anonymous reporter who really just wanted to draw attention to the crimes. In fact it is highly possible that Whitechapel murders were really no different than any other crime, they were just overly exposed by the media. This particular fact was played for both the story and the reader.
Indeed in the modern world, media tends to always hype everything. Possibly things in the real world are only made worse by media coverage, which only can help fuel the fire. While I am not trying to say that all media is bad or fake, I am saying that it’s coverage can heighten certain things to the worst, in this case the Whitechapel murders. As explained in this chapter by Victor, his murder of Martha Tabram drew great attention and led to imitators and more murders throughout the town. In addition this arch has stated that there was also growing mistrust amongst the police. With so much going on around town and the fact that there wasn’t one particular individual committing all the murders, it would come as no surprise that this case was never solved.
As much as we tried to follow history with this arch, one small fictional fact was created in this story, the fact that Martha Tabram was jewish. This fact has never been stated in real life (course much of Tabram’s life is unknown), it was our one forged fact in order to draw racist individuals into the pool of chaos. It should also be noted that even though we explained who killed Martha Tabram and Mary Kelly, we never explained who specifically killed the other canonical victims, whether it was Victor, Mathis or someone else. As noted there were many imitators who took after Victor’s crimes, it could’ve been anyone who may have been able to properly copy his work.
Getting off the historical side of things, it’s worth talking about Victor himself and the events he set in motion. Victor was in a way based off my own feelings as an artist, with a dark twist. His character was actually based more on an article I read some time ago describing and amateur artist and a real artist. The article noted that real artists will stick to their craft and keep working, while an amateur artist constantly seeks attention and tries different things. Many of these qualities were actually transferred to Victor as a character. While Victor has the passion and the drive to be an artist, he never really works hard at it. He keeps changing his craft and never really hones it to the point of perfection, rather he is constantly concerned with making a living and getting attention. He finally started to get the attention he always wanted with his murders and that’s ultimately what led him down the path he was on. In many ways, Victor is a mentally ill individual who craves attention more than he does making something beautiful. More will be said on Victor when he comes to the Creating Kalwa journals and his future appearances in the story.
Finally worth noting was the impact of this chapter. As seen is later chapters, Kalwa is constantly haunted by her deadly encounter with Victor. With this chapter, it was meant to mark the end of an era, in which Kalwa meets an opponent that she CAN’T defeat. Kalwa has now experienced real danger of owning a time traveling phone and it’s left her in a terrible state. So this would be the set up to the long running arch that would shape the remainder of the Kalwa story. But more on that later, thanks for sticking by our chapter look backs on the Whitechapel arch, and we will be doing more chapter look backs in the future.
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So now we come to chapter 18, the near conclusion of the Whitechapel story arch. This chapter of course reveals the big twist of the entire story: there’s more than one Jack the Ripper. Although this isn’t the full explanation of the case, see us for the next chapter look back on that.
The idea of there being two killers eventually evolved into a mandatory plot line as we faced several issues when writing this arch. First and foremost is that Kalwa is NOT a historical comic, it is by no mean meant to be educational. Kalwa is an ADVENTURE comic, which uses time travel as a canvas to tell a vast array of stories. Each era is more of a setting which allows us to do different stories and styles for the adventures that Kalwa embarks on, me and my co-writer have no interest in educating people about historical events unless we find them interesting, this Jack the Ripper case actually being a rare incident.
To give a little more of a clear view to this last statement, we didn’t necessarily want to the be bound to the facts of history and have our creativity stifled because of what historians have dug up in recent years. Adding onto this fact, everything I read on the Ripper seemed to be conclusive evidence that he was in fact targeting prostitutes which presented a major problem. Kalwa being a sixteen year old girl who would most certainly not be working in the profession (for more than one reason) thus the Ripper would really have no reason whatsoever to target her in the first place.
Another major obstacle that brought on the plot twist, is that I wanted this to be a murder mystery. Possibly getting the reader to try and deduce who the killer was. Yet at the same time, I wanted an unexpected twist that readers wouldn’t see coming. I was actually inspired by the first Friday the 13th in which the movies killer Pamela Vorhees was introduced into the film so late that viewers didn’t have time to suspect her, and thus I wanted to pull a stunt just like this. However doing so I felt would be a complete betrayal of the mystery as it would simply discard all the readers efforts just to reveal a new face in the last minute.
So with all these factors taken into account, the only logical conclusion was to have two killers. One would abide more by historical facts and the reader could attempt to solve, while the other one would be more free to do what we initially wanted. And speaking of history, this chapter features yet another historical note in it. When Kalwa breaks into Mary Kelly’s house, you can see smoke coming from the fire place with clothes thrown in it. This is actually a real determined fact from the murder scene, it is believed that the killer threw clothing into the fire place in order to provide enough light to carry out his horrible act.
But this is not the end of the historical notes or the development of this arch, you’ll see what we mean in the next call back on chapter 19.
CLICK ON ANY OF THE PAGES BELOW TO READ CHAPTER 18!!!
So we now come to chapter 17, the second part of the Whitechapel arch. I would honestly say that this chapter was more of the mystery moment of the arch, as the next chapter would answer the mystery and the following chapter would conclude the story. This was actually the chapter that where most of the research was put into as it contains many, many references to the real life Whitechapel murders.
This chapter mentions in the beginning the night of the double homicide, as well as the mention of the Ripper’s primary targets being women. One other reference that was brought up in this chapter is Gerald Butler himself carrying around his bloody butcher knife. While this was intended to mostly be a fake out on his identity as the killer, in real life butchers often roamed around the streets of London with blood on their apron, in fact one possible murder case of ripper was reported to have taken place around the streets where many butchers lived, thus the killer was able to blend into the background whether he had blood or not.
This chapter also introduced the first guest appearance of a real historical character, that being Mary Kelly, the Ripper’s real life final victim (in London anyway). Of all the suspects I researched, Mary Kelly has the most backstory on her and a number of them were worked into the dialogue. The hooker that Kalwa meets in the alley mentions that Mary loves pup hopping and she’s really “found her voice.” This is actually a reference to Mary’s real life, in which she was said to be “quiet” in real life, and quite “loud” when drunk, even said to have been singing songs in a “irish tougue.”
I actually wanted the reader and Kalwa both to feel upset about Mary meeting her ultimate fate, and this actually became a bit of a challenge at first. Originally Kalwa and Mary were supposed to have more of a conversation, with Mary even suggesting that prostitution wasn’t fully a choice after Kalwa tells her how much the profession sickens her. This was ultimately scrapped as page limitations wouldn’t allow this conversation to carry on, or make it meaningful. Also it would require writing an entire plot as to why Kalwa really hates hookers, as being a hooker doesn’t make some one a bad person. So I decided to put great emphasis on Mary’s design, making her out to look sweet kind and innocent the very opposite of the profession she was in. Also she was brave and tough at the same time, giving her a little appeal to reader. As very little definitive descriptions of Mary Kelly exist (other than her curly red hair), there was plenty of room to freely design her.
Finally the last worthwhile note to this chapter is than this chapter allowed the comic to incorporate a very real and adult subject: Racism. This is of course brought up in the form of Thomas’s tragedy in which he was not only taken off the case, but he was simply put on because of his Jewish heritage. This plot line developed from my research as I had read that London was full of anti-semitism as it was being flooded by waves of Jewish immigrants who had fled Eastern Europe at the time. In fact one actual suspect for Jack the Ripper was a polish immigrant named John Pizer, whose paper articles often focused on the fact he was Jewish. Further more, racism grew at the very fact that a foreigner was killing ENGLISH prostitutes in their own land. This fact would actually play a major role in the actual story and further cement why the case was never solved. It’s very appropriate for this particular arch as this arch is the jumping off point in which the overall Kalwa story gets darker and more mature going forward. Stay tuned for more information chapter 18.
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The script for chapter 22 has been sent to my co writer, I will begin the cover later this week. We’ll be introducing a whole cast of characters in this chapter so these last few nights have been spent sketching in the sketchbook, these are just a few headshots that have been drawn up. Look for the new chapter later this month.
It’s finally time to look back on the Whitechapel saga, which I’ve been holding back on. Of all the story’s done in this story so far, this arch has the most backstory thus far. From the moment the story had begun, Whitechapel was always planned from the start and there was a LOT of research put into it. All the facts presented in the story such as the murder of Martha Tabram are all real life facts, and perhaps the hardest part of all it was taking the real life facts and steering them to work in the fictional story I wanted to tell. There is so much information here that it will all have to be told in spoonfuls which will all be attached to each look back on the Whitechapel chapters.
In addition to the research this chapter also allowed me to pour my passion and love for horror and suspense into the pages of a comic book, most notably chapter 16 has this in the first few pages where Kalwa encounters the Ripper. The dreaded suspense and build up with the creaking was a drawn out moment to get the audience disturbed and on the edge of their seat.
Even the very design of arch (namely the night scenes) were modeled after the IDW mini series the Fly Outbreak, which featured heavy amounts of shadow in the panels to convey it’s frightinging and suspenseful atmosphere. The first time I actually read this series I was filled with dread and the thought of what was lurking around the corner and what would leap out. Despite is only be a still comic book, its art style alone was very dreadful and very creepy. As soon as I finished the story, I knew I wanted to incorporate these elements into this story.
In addition, this story arch would serve as the conclusion of the “free adventuring” storyline set in since chapter 1 as Kalwa encounters something she hadn’t faced before… an opponent that she could not defeat. Kalwa’s self defense abilities had been getting her by on the grounds that she had been a girl in time, and most opponents would not expect a girl to know how to fight. This plot line comes crashing down this chapter as Kalwa actually encounters an opponent who is actually skilled in combat and can even hurt her very badly. This would make the audience fear the ripper as much as Kalwa would in the story.
More information will come out in future chapters, and feel free to click any of the images below read this chapter for yourself.
Happy Monday everyone, lets talk it’s time for some more behind the scenes work once again turning to Whitechapel. Illustrated below are some potential designs for the “Jack the Ripper.” In particular the idea of a mask. The idea of a mask did arise during writing as it would be pretty hard for Kalwa to have multiple encounters with the Ripper and not at least get a glimpse of his face, and of course we couldn’t just rely on shadow the whole time (even though in the actual story the first ripper does hide in shadow). So it was only natural to want to hide the ripper’s face, which actually turned out to be quite the challenge. Part of the idea behind the Whitechapel story was for it to be a mystery, to see if readers could figure out who the Ripper was, and thus I was afraid to have any part of the face visible as I feared it would be too big of a clue as to his identity.
The idea for the finalized mask came from the video game series Assasin’s Creed which featured it’s own version of the ripper wearing a bag mask, the sketch in the lower left corner takes great inspiration from this. To make our version unique and further adding questions (as well as keeping consistent with appearences), the final design was given long flowing hair, ultimately revealed to be a wig. He was also given hollow emotionless eyes and my own personal touch of having blood smeared on the mask. Somehow I’ve always found it more frighting to have physical blood on a mask, as a means of some sick pride to the killer.