Reposting some artwork done in 2021. I feel like this past year I really fell in love with what I was doing and there were a lot of inspiration through streaming and web videos. I also had a lot time to play and experiment with techniques to up the quality. Not to mention bringing my sketchbook to work to practice gestures and more.
So here’s a reflection on some of the art from last year!
So yes, chapter 23 has concluded and currently I’m a bit occupied over on the Green Raptor website finishing up the Amber one shot. So it will be just a little longer till I start working on the official script for chapter 24. But in the meantime I’m here to show you all some behind the scenes sketches and some production stories that go on behind the Kalwa scenes.
We’ll start off with Hideyoshi and Karou Sato (yes I’m saying their names in the western tongue right now). Hideyoshi’s design was kinda decided from the beginning as I wanted a simple stoic and strong looking samurai. I wanted him to have a mustache as it would suggest wisdom and nobility in addition to his strength. In fact his selected name Hideyoshi actually translates to “strong one” in Japan. Mostly when drawing him I was actually thinking of Sango’s father from Inuyasha, except with cleaner hair.
The x shaped scare on Hideyoshi’s face was actually an accident. In reality he was meant to have only a single slash scar, however when it came time to draw him in the comic, I mistook the cheek bone as a second mark and didn’t realize my mistake until about five pages of drawing him (as you can see by the sketch below). So hopefully Ruroni Kenshin fans don’t accuse me of stealing.
Karou’s design was a bit more tricky, as I didn’t really have a specific design in mind for her. I wanted her to look like a well mannered woman who would politely greet guests, but also wanted her to appear fun and witty as she has her own methods of survival which will be seen later in this story arch. My first drawings of her I felt looked too plain, and at the same time I felt she looked a little too old for Hideyoshi. I think I had been looking at Hinata from Naruto when designing her bangs in the final design. The real tricky thing about drawing Karou is that her long hair has to wave in and out in a certain way as it can result in her looking notably different and off model (see second sketch).
One little fact I’d like to bring up is that there is an unused kimono design for Karou. Initially she was supposed have flowers on her kimono, sorta like an older version of her daughter’s kimono. However I missed the sketch at the time I drew her and completely forgot about the design. I’ll probably bring this design in chapter 24 as a clothing change, so be sure to look for than in chapter 24. Anyway, that’s what we got for this entry, more to come.
Finished character sketch of Toshiro Sato, a major character that will debuting in the upcoming Feudal Japan arch. Not only will he be a major character in the next arch, he is actually set to become a major character in the remainder of overall Kalwa story. Toshiro is the son of Hideyoshi Sato, a powerful swordsman who fled his own village during the Japanese Fedudal Era. Hideyoshi started his own village where he trains runways in the art of weapons, in attempt to give them the means to survive in the dangerous world outside of noble rule. Toshiro serves not only as his sone, but assistant in training these runways and is a powerful warrior when it comes to swords. He also has a cute little sister named Miki who will also be getting colored portrait as well.