This was the first of the Kalwa Anime crossover, featuring Kalwa in the Dr. Stone world. The idea just came to me while I was drawing Kohaku from the show (seen on the green raptor site) about how Kalwa would look if she ever crossed over her and thus began this crossover series that I’m currently working to finish. Also it was real fun drawing Kalwa in cave woman garbs.
A call back to chapter 4. This was really the first time staging a real action scene and need for coordinated movement. Rachel’s whip in particular was a unique experiment to play with drawing it in various positions and trying to draw in ways that could feel natural. I seriously don’t have that many comics where people use whips (or at least I didn’t back then) so a good portion of the portions came from either videos about whips or imagination.
This emotional page from chapter 14. I’ve really credited this page as being a major turn around for the story as this is the first page in the series where we see Kalwa emotionally break down in tears. The second to last panel was the major vocal point which was a vitally important part of the page. I think when drawing it there were about three versions of this particular pattern before settling on the finished one.
A quick little sketch I drew a little while ago when the original sketch fo the two got pretty popular after I reposted it. I’m actually thinking of going back to doing the Kid Kalwa mini comics again, a few ideas are starting to come to mind.
This was a character chart of made of Rachel quite some time ago. Even though I like her design, she’s possibly the most difficult to draw of the Desert Vixens. It’s mainly due to her hair, I find it really difficult to draw her hair consistently over the course of several panels. Usually when I draw characters in the sketchbook I tend to draw them once or twice just to have a note of their hair and I can form other angles while working on the comic. However every so often I wind up doing a character that I do need reference for, hence the heavy footnotes in the chart.
So we come now to the final chapter of the whitechappel arch, and this chapter is split into two sections: explaining away the mystery, and horrible terrifying chase.
So the last chapter revealed that there was actually two Jack the Rippers, however this chapter indicates there may have been many more and that in reality there is no LEGITIMATE Jack the Ripper, but rather it is merely a name floating around the paper. As I was winding this story down in writing, I felt this was ultimately what it would lead to, and give a reason as to why this case has never actually been solved. Indeed according to history, the infamous letter that was found at the crime scene was proven to not have been written by the killer himself, but rather an anonymous reporter who really just wanted to draw attention to the crimes. In fact it is highly possible that Whitechapel murders were really no different than any other crime, they were just overly exposed by the media. This particular fact was played for both the story and the reader.
Indeed in the modern world, media tends to always hype everything. Possibly things in the real world are only made worse by media coverage, which only can help fuel the fire. While I am not trying to say that all media is bad or fake, I am saying that it’s coverage can heighten certain things to the worst, in this case the Whitechapel murders. As explained in this chapter by Victor, his murder of Martha Tabram drew great attention and led to imitators and more murders throughout the town. In addition this arch has stated that there was also growing mistrust amongst the police. With so much going on around town and the fact that there wasn’t one particular individual committing all the murders, it would come as no surprise that this case was never solved.
As much as we tried to follow history with this arch, one small fictional fact was created in this story, the fact that Martha Tabram was jewish. This fact has never been stated in real life (course much of Tabram’s life is unknown), it was our one forged fact in order to draw racist individuals into the pool of chaos. It should also be noted that even though we explained who killed Martha Tabram and Mary Kelly, we never explained who specifically killed the other canonical victims, whether it was Victor, Mathis or someone else. As noted there were many imitators who took after Victor’s crimes, it could’ve been anyone who may have been able to properly copy his work.
Getting off the historical side of things, it’s worth talking about Victor himself and the events he set in motion. Victor was in a way based off my own feelings as an artist, with a dark twist. His character was actually based more on an article I read some time ago describing and amateur artist and a real artist. The article noted that real artists will stick to their craft and keep working, while an amateur artist constantly seeks attention and tries different things. Many of these qualities were actually transferred to Victor as a character. While Victor has the passion and the drive to be an artist, he never really works hard at it. He keeps changing his craft and never really hones it to the point of perfection, rather he is constantly concerned with making a living and getting attention. He finally started to get the attention he always wanted with his murders and that’s ultimately what led him down the path he was on. In many ways, Victor is a mentally ill individual who craves attention more than he does making something beautiful. More will be said on Victor when he comes to the Creating Kalwa journals and his future appearances in the story.
Finally worth noting was the impact of this chapter. As seen is later chapters, Kalwa is constantly haunted by her deadly encounter with Victor. With this chapter, it was meant to mark the end of an era, in which Kalwa meets an opponent that she CAN’T defeat. Kalwa has now experienced real danger of owning a time traveling phone and it’s left her in a terrible state. So this would be the set up to the long running arch that would shape the remainder of the Kalwa story. But more on that later, thanks for sticking by our chapter look backs on the Whitechapel arch, and we will be doing more chapter look backs in the future.
CLICK ON ANY OF THE THUMBS TO READ THE CHAPTER!
The script for chapter 22 has been sent to my co writer, I will begin the cover later this week. We’ll be introducing a whole cast of characters in this chapter so these last few nights have been spent sketching in the sketchbook, these are just a few headshots that have been drawn up. Look for the new chapter later this month.
It’s finally time to look back on the Whitechapel saga, which I’ve been holding back on. Of all the story’s done in this story so far, this arch has the most backstory thus far. From the moment the story had begun, Whitechapel was always planned from the start and there was a LOT of research put into it. All the facts presented in the story such as the murder of Martha Tabram are all real life facts, and perhaps the hardest part of all it was taking the real life facts and steering them to work in the fictional story I wanted to tell. There is so much information here that it will all have to be told in spoonfuls which will all be attached to each look back on the Whitechapel chapters.
In addition to the research this chapter also allowed me to pour my passion and love for horror and suspense into the pages of a comic book, most notably chapter 16 has this in the first few pages where Kalwa encounters the Ripper. The dreaded suspense and build up with the creaking was a drawn out moment to get the audience disturbed and on the edge of their seat.
Even the very design of arch (namely the night scenes) were modeled after the IDW mini series the Fly Outbreak, which featured heavy amounts of shadow in the panels to convey it’s frightinging and suspenseful atmosphere. The first time I actually read this series I was filled with dread and the thought of what was lurking around the corner and what would leap out. Despite is only be a still comic book, its art style alone was very dreadful and very creepy. As soon as I finished the story, I knew I wanted to incorporate these elements into this story.
In addition, this story arch would serve as the conclusion of the “free adventuring” storyline set in since chapter 1 as Kalwa encounters something she hadn’t faced before… an opponent that she could not defeat. Kalwa’s self defense abilities had been getting her by on the grounds that she had been a girl in time, and most opponents would not expect a girl to know how to fight. This plot line comes crashing down this chapter as Kalwa actually encounters an opponent who is actually skilled in combat and can even hurt her very badly. This would make the audience fear the ripper as much as Kalwa would in the story.
More information will come out in future chapters, and feel free to click any of the images below read this chapter for yourself.
Just a quick little sketch I did today of Kalwa, practicing the new hair highlighting pattern. I’ve always felt that the highlights didn’t stand out that well and dynamically and for years I’ve wanted to modify it to look more epic and detailed but could never find a solution. Thanks to some critiques I feel I was finally able to find the answer. Expect more drawings like this in future comic pages.