Another busy week of uploading, it’s what happens when you are at home with pretty much nothing to but work what you love. Well here you all go, new page and that much closer to finishing this chapter. As usual click the link below to view the latest page.
Production Art: Hideyoshi and Karou Sato
So yes, chapter 23 has concluded and currently I’m a bit occupied over on the Green Raptor website finishing up the Amber one shot. So it will be just a little longer till I start working on the official script for chapter 24. But in the meantime I’m here to show you all some behind the scenes sketches and some production stories that go on behind the Kalwa scenes.
We’ll start off with Hideyoshi and Karou Sato (yes I’m saying their names in the western tongue right now). Hideyoshi’s design was kinda decided from the beginning as I wanted a simple stoic and strong looking samurai. I wanted him to have a mustache as it would suggest wisdom and nobility in addition to his strength. In fact his selected name Hideyoshi actually translates to “strong one” in Japan. Mostly when drawing him I was actually thinking of Sango’s father from Inuyasha, except with cleaner hair.
The x shaped scare on Hideyoshi’s face was actually an accident. In reality he was meant to have only a single slash scar, however when it came time to draw him in the comic, I mistook the cheek bone as a second mark and didn’t realize my mistake until about five pages of drawing him (as you can see by the sketch below). So hopefully Ruroni Kenshin fans don’t accuse me of stealing.
Karou’s design was a bit more tricky, as I didn’t really have a specific design in mind for her. I wanted her to look like a well mannered woman who would politely greet guests, but also wanted her to appear fun and witty as she has her own methods of survival which will be seen later in this story arch. My first drawings of her I felt looked too plain, and at the same time I felt she looked a little too old for Hideyoshi. I think I had been looking at Hinata from Naruto when designing her bangs in the final design. The real tricky thing about drawing Karou is that her long hair has to wave in and out in a certain way as it can result in her looking notably different and off model (see second sketch).
One little fact I’d like to bring up is that there is an unused kimono design for Karou. Initially she was supposed have flowers on her kimono, sorta like an older version of her daughter’s kimono. However I missed the sketch at the time I drew her and completely forgot about the design. I’ll probably bring this design in chapter 24 as a clothing change, so be sure to look for than in chapter 24. Anyway, that’s what we got for this entry, more to come.
Chapter 23 Page 19
I know it’s late in the day and everyone is probably watching two giant monsters duke it out. But just an update that we got a brand new page up for your viewing pleasure, moving close to the end of the line of chapter 23. As usual, click the link below and see the new page now.