New character illustration of Thomas, the detective that Kalwa encounters during the white chapel arch. The character was hired by the police in order to track down the Jack the Ripper Killer. However it’s later revealed that he was actually hired simply because of his jewish heritage as the police were attempting to appeal to the jewish community and show that they really did care for them. Despite the fact that he doesn’t actually solve the case by himself, he does get to play the hero by saving a woman from a violent jewish bigot, and he he also accompanies the police to the Victor’s lair where he’s able to comfort Kalwa after her horrible encounter with Victor.
More on the character can be found in the Whitechappel Arch starting in chapter 16!
So now we come to chapter 18, the near conclusion of the Whitechapel story arch. This chapter of course reveals the big twist of the entire story: there’s more than one Jack the Ripper. Although this isn’t the full explanation of the case, see us for the next chapter look back on that.
The idea of there being two killers eventually evolved into a mandatory plot line as we faced several issues when writing this arch. First and foremost is that Kalwa is NOT a historical comic, it is by no mean meant to be educational. Kalwa is an ADVENTURE comic, which uses time travel as a canvas to tell a vast array of stories. Each era is more of a setting which allows us to do different stories and styles for the adventures that Kalwa embarks on, me and my co-writer have no interest in educating people about historical events unless we find them interesting, this Jack the Ripper case actually being a rare incident.
To give a little more of a clear view to this last statement, we didn’t necessarily want to the be bound to the facts of history and have our creativity stifled because of what historians have dug up in recent years. Adding onto this fact, everything I read on the Ripper seemed to be conclusive evidence that he was in fact targeting prostitutes which presented a major problem. Kalwa being a sixteen year old girl who would most certainly not be working in the profession (for more than one reason) thus the Ripper would really have no reason whatsoever to target her in the first place.
Another major obstacle that brought on the plot twist, is that I wanted this to be a murder mystery. Possibly getting the reader to try and deduce who the killer was. Yet at the same time, I wanted an unexpected twist that readers wouldn’t see coming. I was actually inspired by the first Friday the 13th in which the movies killer Pamela Vorhees was introduced into the film so late that viewers didn’t have time to suspect her, and thus I wanted to pull a stunt just like this. However doing so I felt would be a complete betrayal of the mystery as it would simply discard all the readers efforts just to reveal a new face in the last minute.
So with all these factors taken into account, the only logical conclusion was to have two killers. One would abide more by historical facts and the reader could attempt to solve, while the other one would be more free to do what we initially wanted. And speaking of history, this chapter features yet another historical note in it. When Kalwa breaks into Mary Kelly’s house, you can see smoke coming from the fire place with clothes thrown in it. This is actually a real determined fact from the murder scene, it is believed that the killer threw clothing into the fire place in order to provide enough light to carry out his horrible act.
But this is not the end of the historical notes or the development of this arch, you’ll see what we mean in the next call back on chapter 19.
CLICK ON ANY OF THE PAGES BELOW TO READ CHAPTER 18!!!
Happy Monday everyone, lets talk it’s time for some more behind the scenes work once again turning to Whitechapel. Illustrated below are some potential designs for the “Jack the Ripper.” In particular the idea of a mask. The idea of a mask did arise during writing as it would be pretty hard for Kalwa to have multiple encounters with the Ripper and not at least get a glimpse of his face, and of course we couldn’t just rely on shadow the whole time (even though in the actual story the first ripper does hide in shadow). So it was only natural to want to hide the ripper’s face, which actually turned out to be quite the challenge. Part of the idea behind the Whitechapel story was for it to be a mystery, to see if readers could figure out who the Ripper was, and thus I was afraid to have any part of the face visible as I feared it would be too big of a clue as to his identity.
The idea for the finalized mask came from the video game series Assasin’s Creed which featured it’s own version of the ripper wearing a bag mask, the sketch in the lower left corner takes great inspiration from this. To make our version unique and further adding questions (as well as keeping consistent with appearences), the final design was given long flowing hair, ultimately revealed to be a wig. He was also given hollow emotionless eyes and my own personal touch of having blood smeared on the mask. Somehow I’ve always found it more frighting to have physical blood on a mask, as a means of some sick pride to the killer.